Table of Contents
Editorial
| Sea Change: Transforming Industries, Screens, Texts | |
| Alfio Leotta | 1-3 |
Articles
| Framing the Border: Securing Mobility and Representing the Nation | |
| Rachael Anderson | 4-19 |
| New Land, New Opportunities, New Language: Māori Television and Migrants Learning Te Reo | |
| Susan Nemec | 20-37 |
| The Dub Encounter in New Zealand Film | |
| Alan Wright | 38-49 |
| Et in Arcadia Ego: New Zealand's Rural Landscape in Visual Culture and Early Amateur Film | |
| Rosina Hickman | 50-62 |
| Storytelling for Our Own People: A Reflection on Working with Māori Filmmaker Barry Barclay | |
| Christina Milligan | 63-74 |
| Paratexts, Industrial Reflexivity, Affective Labour and King Kong: Peter Jackson’s Production Diaries | |
| Thierry Jutel | 75-91 |